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They’re more than infectious enough to hold their own atop the charts. Lead single “On My Mind,” will be on yours too after layers of repetitive vocal fragments and guitar loops build to one catchy conclusion. On “Don’t Need Nobody,” she warps her vocals into an ominous siren just before a tremoring chorus hits. Thankfully, Goulding retains some of the weirdness that has set her apart from the steady stream of pop exports pouring in from across the pond. (Though in 2015, offering the glossy, female-empowerment alternative to Abel Tesfaye’s bad-boyfriend hedonism is hardly a bad look.) And once Goulding mixes the more club-oriented material with lyrics about stumbling in and out of hotel rooms and throwing back drinks, it’s easy to think of one of those clients-the Weeknd-in particular. Between Hilary Duff, Selena Gomez and Adam Lambert, pop has enough whistle-driven songs to make the wordless hook of “Keep on Dancin'” feel a little redundant. The risk would have been to disown what was obvious from the start.Yet with her collaborators’ ubiquity comes familiarity, and even the airy texture that makes Goulding’s voice so distinct can’t keep some songs from sounding as if they could have belonged to her producers’ other clients. Perhaps she’s finally come to terms with playing in the major leagues because she’s sussed out the sweet spot between pop homogeneity and experimentation. Goulding and her label, Interscope, hired some of the hottest producer talent in the. The latter highlights how Goulding has found a way to incorporate her favorite music into her own creations, leaning on a certain Diplo hit. As an album of dance songs to get you off your feet and moving, Delirium is very good. Her husky vibrato does appear more restrained, but her low register on Fifty Shades of Grey smash “Love Me Like You Do” and the tropical, whistle-abetted “Keep on Dancin'” make for some of her most compelling top lines yet. Finally, she’s embracing the responsibility to provide stone-cold tunes without pretense.
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The driving, ’80s-reminiscent chorus of “Something in the Way You Move,” the jaunty Ed Sheeran-baiting smash “On My Mind,” and the Lykke Li-styled piano’n’claps of “Holding on for Life” all make for a euphoric and diverse spectacle. Goulding here follows the strategic full-throttle assault by #squad colleague Taylor Swift, abandoning prior nuances and building a ferocious live presentation to boot. Glancing at the tracklist shows that many of the song lengths are a uniform three minutes and 46 seconds, and the production credits boast assists from big guns Max Martin and Ryan Tedder, as well as Greg Kurstin (Sia, Adele).
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Until now: With the release of third LP, Delirium, a self-confessed “big pop album,” Ellie’s coming into the proverbial net, low on ballads and armed with 16 bangers to pelt at fans and peers alike. Collaborations with Major Lazer and Calvin Harris found Goulding flexing her versatility for arena and club audiences she’s been as unwilling to be boxed in as Rafael Nadal is to stick to one tennis surface. Her boundless energy is reflected in high-impact electro-pop that’s morphed from wispy (2010 debut Lights) to aggressive (2012’s Halcyon), with number-one U.K.
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Ellie Goulding's third studio album finds the dance diva perfecting and expanding her craft. In the past five years, Goulding’s X-factor has been her refusal to be pigeonholed. Ellie Goulding Delirium Deluxe Edition Zip Mediafire Delirium is the third studio album by English singer and songwriter Ellie Goulding, released on 6 November 2015 by Polydor Records. Despite experiencing enormous hype and winning a Brit Award before even releasing a full-length, Goulding wasn’t ready to fulfill that part of her mission. When she first appeared on the scene half a decade ago with her. But after listening to this album I am highly impressed. Not because I did not like any of her singles, I just never thought about checking out her albums in depth. The fidgety upstart did some yoga, spoke about her love of drums, gushed about Björk, Four Tet, and Bon Iver, and was reluctant to identify herself as a pop star. With now only three albums under her belt, Ellie Goulding has quietly and unexpectedly become something of a surprise pop star. Ellie Goulding is not necessarily an artist I have paid too close attention to. Who knows where my next album will go?” Ellie Goulding said to me in 2010, in a tiny Scotland venue most renowned for being the place where Oasis were discovered. “I love that people are curious about what kind of artist I am.